Á¦¸ñ [ÇöÀçÀü½Ã] Á¦16ȸ ±¤ÁÖºñ¿£³¯·¹ ij³ª´Ù ÆÄºô¸®¿Â ¡¶Skennen'ko:wa ken? ½º°£³ª °í¿Í °Ï?¡·



Á¦16ȸ ±¤ÁÖºñ¿£³¯·¹ ij³ª´Ù ÆÄºô¸®¿Â

The 16th Gwangju Biennale ¡ª Canadian Pavilion

Skennen¡¯kó:wa ken?

½º°£³ª °í¿Í °Ï?

Do You Carry Great Peace?

2026.09.05.(Åä) - 11.15.(ÀÏ) (* ¸ÅÁÖ ¿ù, Ãß¼® ¿¬ÈÞ ÈÞ°ü)








¡á Àü  ½Ã  ¸í : Á¦16ȸ ±¤ÁÖºñ¿£³¯·¹ ij³ª´Ù ÆÄºô¸®¿Â¡¶Skennen¡¯kó:wa ken? ½º°£³ª °í¿Í °Ï?¡·

¡á Àü½Ã ±â°£ : 2026.09.05.(Åä) - 11.15.(ÀÏ) (*¸ÅÁÖ ¿ù, Ãß¼® ÈÞ°ü)

¡á Àü½Ã Àå¼Ò : À̰­ÇϹ̼ú°ü (Àü³²±¤ÁÖÅëÇÕÆ¯º°½Ã ³²±¸  3¡¤1¸¸¼¼¿îµ¿±æ 6)

¡á Âü¿© ÀÛ°¡ : Hannah Claus, Melissa General, Shelley Niro

¡á Àü½Ã ±âȹ : Ryan Rice

¡á ÁÖÃÖ/ÁÖ°ü : (Àç)±¤ÁÖºñ¿£³¯·¹, ij³ª´Ù´ë»ç°ü, OCAD University, ¿Â»çÀÌÆ® °¶·¯¸®

¡á Çù        ·Â : À̰­ÇϹ̼ú°ü, (»ç)À̰­Çϱâ³ä»ç¾÷ȸ

¡á ÈÄ       ¿ø : µ¥À̺ñµå ºñ³Ý


¡á ±âȹ±Û

¡®½º°£³ª °í¿Í °Ï?¡¯(Skennen'kó:wa ken?)Àº ¡®´ç½ÅÀº Ä¿´Ù¶õ ÆòÈ­¸¦ ǰ°í ÀÖ½À´Ï±î?¡¯¶ó´Â ¶æÀÇ °¡´Ï¿£°ÔÇϾî(Kanien'kéha) Àλ縻ÀÔ´Ï´Ù. ÀÌ Àλ縻Àº ÆòÈ­¸¦ ¼­·Î¿¡°Ô Ã¥ÀÓÀ» ´ÙÇϰí, ¼­·Î ÁÖ°í ¹ÞÀ¸¸ç, ¼­·Î º¸»ìÇÇ¸ç »ì¾Æ°¡´Â ¹æ½ÄÀ¸·Î »ý°¢ÇÏ°Ô ÇÕ´Ï´Ù. °¡´Ï¿£°ÔÇϰ¡(Kanien'kehá:ka) ¿¹¼ú°¡ ¼Ð¸® ´Ï·Î, ¸á¸®»ç Á¦³Ê·², Çѳª Ŭ¶ó¿ì½ºÀÇ »çÁø, ¿µ»ó, Á¶°¢, ¼³Ä¡ ÀÛǰÀ» ÇÑÀÚ¸®¿¡ ¸ðÀº À̹ø Àü½Ã´Â ÆòÈ­¸¦ ¼¼´ë °£ °ü°è¿Í ±â¾ï, °øµ¿Ã¼ ¼Ó¿¡¼­ ³¯¸¶´Ù ½ÇõÇϰí ÀÌ¾î °¡¾ß ÇÒ Ã¥ÀÓÀ¸·Î º¸´Â È£µ¥³ë¼î´Ï(Haudenosaunee) ¿øÁֹΠ¿¬¸ÍÀÇ ¼¼°è°ü¿¡ »Ñ¸®¸¦ µÎ°í ÀÖ½À´Ï´Ù.

ÀÌ Àü½Ã´Â È£µ¥³ë¼î´Ï ¿øÁֹΠ¿¬¸ÍÀÇ ÁÖ±ÇÀ» ÀÌ·ç´Â Á¤Ä¡¡¤¹®È­¡¤¿µÀû öÇÐÀ» Á߽ɿ¡ µÎ°í, ¸®¸ÅÆ®¸®¿¡À̼Ç(rematriation: ¿øÁֹΠ¿©¼º ÁÖµµ·Î Á¶»óÀÇ ¶¥°ú ¹°, ¹®È­Àû Áö½Ä°úÀÇ ¼¼´ë °£ °ü°è¸¦ µÇ»ì¸®´Â ȸº¹ °úÁ¤)ÀÇ ½ÇõÀ» ÀÌ¾î °©´Ï´Ù.

¡¶½º°£³ª °í¿Í °Ï?¡·Àº ±¤ÁÖÀÇ ¹ÎÁÖÀû ÀúÇ×ÀÇ ¿ª»ç¿Í ¿¬°áµÇ¸ç, 2026³â ±¤ÁÖºñ¿£³¯·¹ÀÇ ÁÖÁ¦ÀÎ ¡¶³Ê´Â ³× »îÀ» ¹Ù²ã¾ß ÇÑ´Ù¡·¿Íµµ ¸Â´ê¾Æ ÀÖ½À´Ï´Ù. ÀÌ Àü½Ã´Â ÀÇ¹Ì ÀÖ´Â º¯È­°¡ ½º°£³ª(skennen, ÆòÈ­)¸¦ ³¯¸¶´Ù ½ÇõÇÏ´Â µ¥¼­ ºñ·ÔµÈ´Ù´Â Á¡À» °­Á¶ÇÕ´Ï´Ù.


Skennen'kó:wa ken?—a Kanienʼkéha greeting meaning Do You Carry Great Peace?—invites reflection on peace as a living and ethical practice of responsibility, reciprocity, and care. Bringing together photography, video, sculpture, and installation by Kanien¡¯kehá:ka artists Shelley Niro, Melissa General, and Hannah Claus, the exhibition is grounded in a Haudenosaunee worldview that understands peace as an active, everyday commitment carried forward through relationships across generations, memory, and community.

Centering the political, cultural, and spiritual philosophies of Haudenosaunee sovereignty, the exhibition advances rematriation, an Indigenous women-led process of restoration that renews intergenerational relationships with ancestral lands, waters, and cultural knowledge.


Presented in dialogue with Gwangju¡¯s history of democratic resistance, Skennen¡¯kó:wa ken? resonates with the 2026 Gwangju Biennale theme, You Must Change Your Life, affirming that meaningful transformation emerges through the daily practice of skennen (peace).

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